Curatorial Statement — Velvet Devotion
In this chromatically heightened series, the visual temperature is both intimate and theatrical. The images stage sensuality with a precise, performative elegance — echoing cinematic tableaux, yet never slipping into parody. The interplay between the two women resists easy categorization. It is not simply erotic nor declaratively romantic. Instead, it pulses with the rituals of affection, ornament, and mutual choreography — bodies as both stage and story.
The pearl necklace, passed hand to hand, body to body, becomes a symbol less of luxury than of continuity — tactile, relational, suspended. It links without binding, marking a chain of gestures that balance power and softness. Their nudity, while overt, feels styled less for the gaze than for participation — they are dressing each other in presence and attention.
This series is not about voyeurism, but about looking as being-with. Their gazes meet the lens occasionally, but more often linger on each other — and what opens is a layered narrative of trust, desire, and perhaps the quiet pact of the private shared space, momentarily staged.
These images feel like the stills of an unfolding rite — unhurried, indulgent, specific. Their textures — satin, skin, glass, pearls — suggest weight and friction, but also a deliberate slowness. Nothing here is accidental. Everything is chosen.
The chromatic intensity, especially the blue and red tones, functions not just as aesthetic flair but as a dramaturgy of pleasure — warmth meeting shadow, richness against recession. The domestic setting, filled with objects and artworks, is both backdrop and part of the script — a reminder that even the most intimate rituals exist within contexts and rooms filled with inherited meaning.
In Velvet Devotion, the two women construct a space where presence is gift and gesture — and where intimacy, both shown and withheld, becomes its own form of power.
List of Photos at Saatchi with Links
